Dear Readers, The marvelous Catherine Schaff-Stump prodded me into revealing a few of my tricks for bringing dinosaurs to life in your imaginations. Hears hoping the writers among you may find something useful in creating wonders of your own. Oh, and hey, if you’ve never checked out Cath’s Abigail Rath series, you are in for a treat!
I’m super excited to be invited to be a guest star at Amazing Con June 12 – 14! Want to hear me talk about new developments in old dinosaurs? Or how to go about designing a fantasy or science fiction world? Or read a new story before it’s even published?
Come one, come all! Registration is free.
Check out all the Amazing Guest Stars.
Cath, Chris, George & Chia (a/k/a the Unreliable Narrators) interviewed me about T-Rex Time Machine for their podcast! It was great fun talking to these talented writers about dinosaurs, creating an interactive fiction adventure, and much else. Have a listen.
While you’re at it, have a look at my game. It’s your chance to take your best friend back millions of years to see living dinosaurs.
Yes, this is a reminder that now is the time to read my story, Not with a Bang, in the July/Aug. Analog. It’s about sauropods, triceratops, hadrosaurs, and everyone’s favorite — T. rex. And it also gives me a chance to talk about reviews. Both SF Revu and Tangent Online had good things to say about the story. Believe me, my pulse was racing when I knew they’d covered my story, but before I’d actually read those reviews. What’s a writer to do? Two things:
1. Develop the hide of an armor-plated stegosaur. In this endeavor, it might help to dip into Pushcart’s Complete Rotten Reviews and Rejections, edited by Bill Henderson and Andre Bernard. There, you can read the myopic, nasty, and wrongheaded claptrap written about Lewis Carroll, Mark Twain, Sylvia Plath, Flannery O’Connor, and so many others. You’ll almost certainly find some of your favorite authors skewered. But admittedly, I don’t have the stegosaurus thing going on. Or at least not yet. That leads to my second suggestion.
2. Give the task of reading EVERY review to a spouse, close relative or trusted friend. That person must be instructed, in no uncertain terms, to share only the positive reviews with the writer. Does this amount to little more than a vain attempt to look at the writer’s portion of the world through rose-colored glasses? Well, so what if it does? The morning after I read the reviews in Tangent and SF Revu, I cranked out 2000 words of a novel. That would never have happened if the reviews had been crummy.