Frequently, when authors hear that I write for Analog Science Fiction and Fact, they say they wouldn’t try to write hard science fiction. As much as they may love this sub-genre, they are put off by the degree of difficulty they perceive.
So how does an author go about writing SF that draws heavily on physics, chemistry, astronomy, or biology? I tried tackling this question with a group of hard science fiction writers on Go Indie Now, which you can watch. Our astute moderator, Joe Compton asked a bunch of insightful questions of Sean Hillman, Jan Kotouk, Bruno Martins Soares, and me.
We explored balancing the time you need to do the research vs. the time you have available for the writing. We also shared some thoughts on how the writer moves from initial premise to a mass of specialized knowledge to an intriguing story. Joe boiled what we do down to three handy rules:
- Know your thesis.
- Do your research.
- Don’t be afraid of what you are going to discover.
Come to think of it, that’s good advice for anything you set out to write.
Hey, you can watch my second appearance on Joe Compton’s Go Indie Now. Our panel of all women had a great time discussing what draws us to alternate historical events and how we go about turning these “what ifs” into stories. We look at how we weave together real events and historical figures with made up ones. Turns out, we’re all quite willing to discard some of what historians tell us when it gets in the way of a good story. Joe asked a bunch of insightful questions of Madeleine Holly-Rosing, A.F. Stewart, Nikki Nelson-Hicks, Jenn Thompson and me. Check us out!
In case you missed my alternate history of space exploration during the 1960s, it’s available in the July/August 2021 issue of Analog Science Fiction.
I had lots of fun talking about writing short stories as a panelist on Joe Compton’s Go Indie Now. You can watch it on You Tube and find out how creators of short fiction do what we do. Joe asked a bunch of insightful questions of Jae Lavelle, A.F. Stewart, Alexander Gideon and me.
It turns out we came to short story writing in quite different ways, ranging from starting with novels, poetry, etc. You see, there’s no single path to becoming a published author. You definitely don’t need to be an English major much less get an MFA degree.
We also talk about starting with ideas characters, themed anthologies, and a bunch of things we learned along the way. Check us out!