I’m back sleeping in my own bed after the whirlwind that was Chicon 8, the world science fiction convention in Chicago. Among many fascinating conversations swirling around me, was one that took place in a small gathering of writers and editors for a particular publication. Someone said our group felt like family, to which everyone immediately agreed.

The observation got me thinking how fortunate this little group is. In our field, it’s common for writers, and not only newbies, to feel adrift in the-changeable seas of the publishing industry, despite the fact that some periodicals and publishers have been around longer than most authors have been writing or have been alive. Editors, agents, publicists, and publishers move on to other positions and sometimes leave our field entirely. Moreover, writers soon learn not to count on any editor snapping up their latest story or book, even if earlier related works did nicely. It’s easy for authors to feel like we’ve been cast adrift.

Rather than grousing to each other and bemoaning our fates, it strikes me that the solution is twofold: 1. Write something new. 2. Search out a suitable market where a welcoming publisher may be receptive to more of your work.

For me, Analog Science Fiction and Fact feels like a home. I’ve been reading it as long as I can remember, not just the short fiction, but the multi-issue serials, the fact articles, reviews, editorials, etc. It’s been around for over ninety years. Importantly, it’s a comfort to know that my work has always been given serious consideration by the former editor and the current one. This doesn’t mean they’ll want to run everything I turn in. By no means! However, Analog is a market that will treat my work seriously. In our competitive field, this means a lot.

If I could grant one wish to all my writing friends and the many talented authors whom I don’t know but whose work I admire, it’s this: May you find a corner of our field that is a good home for the pieces dearest to your hearts.