Why no, you shiny, seductive story idea, I am not–repeat NOT-about to chase after you, forgetting my vows to work faithfully on my current story all the way to the end. Because I’m all about
I got word that I’ve resold a short story that came out last year, which means it’ll be reprinted in a different publication. This marks the first time that two different editors have bought the
Here comes a block of time taking you away from the regular routine. Certainly a writer can carve out a slice of it for working on the story or the novel, right? How hard can
No I’m not talking about the impending holidays; they’ve been in full swing for weeks now. I mean it’s barely mid-November, we’ve not had a hard frost yet, and already I’m getting notices urging me
THIS. We all need to work to put an end to accessibility fails.
I participated this past weekend on a panel at World Fantasy Convention 2015 in which one of the panelists was in a wheelchair. Problem was that the dais was reachable only by steps, with no
Here’s Analog editor Trevor Quachri rocking the Analog/Asimov’s party at WFC 2015 in Saratoga Springs, NY. This annual gathering of the clan of fiction writers, editors, artists, and agents focuses on mainly on fantasy, though
I recently sold a short story to the 19th market I tried. I first submitted this story to an editor almost exactly three years before it finally found a publisher. Why did selling the story
I’m happy to see one of my favorite time travel movies (the original, not the sequels) getting so much attention today. Not only is it a fun story, but it also happens to be the
Analog’s December issue features my second guest editorial, “The Future is Prologue.” Astute readers will recognize my reworking of Shakespeare’s line from The Tempest, “Whereof what’s past is prologue; what to come, in yours and
